APRIL 2018


FRAMED, UNFRAMED

GALLERI KIT





GRDS

2018


GRID, FLUORESCENT LIGHT, NAIL BRUSH, PVC, ACRYLIC PAINT, COPPER PIPE, LEMONS  TERMOS TOP, LYCRA, BUCKET, EXTENSION CORD


550 X 350 X 350 CM



GRDS

2018


GRID, FLUORESCENT LIGHT, NAIL BRUSH, PVC, ACRYLIC PAINT, COPPER PIPE, LEMONS  TERMOS TOP, LYCRA, BUCKET, DISHWASHER BRUSH, EXTENSION CORD


550 X 350 X 350 CM

GRDS

2018


GRID, PVC, ACRYLIC PAINT, COPPER PIPE, TERMOS TOP, LYCRA,


550 X 350 X 350 CM

GRDS

2018


PVC, ACRYLIC PAINT, COPPER PIPE, TERMOS TOP, LYCRA, EXTENSION CORD, DISHWASHER BRUSH


550 X 350 X 350 CM

GRDS

2018


COPPER PIPE, TERMOS TOP


550 X 350 X 350 CM

GRDS

2018


COPPER PIPE


550 X 350 X 350 CM

GRDS

2018


NAIL BRUSH, FLUPRESCENT LIGHT, BUCKET, LEMONS, EXTENSION CORD


550 X 350 X 350 CM

FEBRUARY 2018


GLOVE

RAKE VISNINGSROM

9. - 11. FEBRUARY 2018



GLOVE

2018

INSTALLATION


PINE WOOD, ACRYLIC PAINT, PIDESTAL, PINEAPPLE, BIRCH WOOD, PVC, SOUND INSULATON FOAM, BRUSH FIBRE, FOIL, WADDING, ANTI-SKID FABRIC, THREAD




400 X 560 X 350 CM

PINE WOOD, ACRYLIC PAINT, PIDESTAL, PINEAPPLE, SOUND INSULATON FOAM

PINE WOOD, ACRYLIC PAINT, PIDESTAL, PINEAPPLE,, SOUND INSULATON FOAM, ANTI-SKID FABRIC 

PINE WOOD, ACRYLIC PAINT, PIDESTAL, SOUND INSULATON FOAM, ANTI-SKID FABRIC 

PINE WOOD, ACRYLIC PAINT, PIDESTAL, FOIL, RUBBER FOAM, BRUSH FIBRE, WADDING, THREAD

PINE WOOD, ACRYLIC PAINT, PIDESTAL, FOIL, RUBBER FOAM, BRUSH FIBRE, WADDING, THREAD

FOIL, WADDING, THREAD

FOIL, WADDING, THREAD

The installation GLOVE is produced during a stay as artist-in-residence at RAKE visningsrom (Trondheim, NO) lasting from December to February 2018. The gallery became a working space, enabling me to produce larger installations than I normally do. Very low temperatures made it challenging to work in the space. Several layers of clothes would make it hard to move around naturally, and all the «making» needed to be executed with gloves on.

SEPTEMBER 2017


RAPP

SURNADAL BILLAG

21. - 24. SEPTEMBER 2017



RAPP

2017

INSTALLATION


BROOMSTICKS, BRUSH FIBRE, FOAM RUBBER, SPRAY PAINT, STEEL, FLUORESCENT LIGHTS, MOUSE TRAPS, ACRYLIC PAINT, PVC, TABLE, ACRYLIC SWEATER


200 X 600 X 800 CM

BROOMSTICKS, BRUSH FIBRE, RUBBER FOAM, TABLE

BROOMSTICKS, BRUSH FIBRE, RUBBER FOAM, TABLE

BROOMSTICKS, BRUSH FIBRE, RUBBER FOAM, TABLE

BROOMSTICKS, BRUSH FIBRE, RUBBER FOAM, TABLE

STEEL, SPRAY PAINT, FLUORESCENT LIGHT, ACRYLIC SWEATER, RUBBER FOAM, BRUSH FIBRE

RUBBER FOAM, BRUSH FIBRE

PVC, MOUSE TRAPS, ACRYLIC PAINT

The exhibition presents new works produced during a four-week stay as artist-in-residence at Surnadal Billag (Surnadal, NO). The sculptures are inspired, both thematically and in material, from a local factory - Nordenfjeldske Børstefabrikk AS - established in 1933 and Norway's only surviving mousetrap factory. These create the basis for new material combinations and point to underlying themes through association and playing with words. The title of the exhibition hints at the factory’s patented mouse trap through 75 years. 


The exhibition is supported by the Norwegian Cultural Fund.

MAY 2017


EXIT - MFA DEGREE SHOW - TRONDHEIM KUNSTMUSEUM GRÅMØLNA



WARE

2017

INSTALLATION


INK ON PAPER, BIRCH WOOD, POLYETYLEN, POLYESTER-STRETCH, ACRYLIC PAINT, FLUORESCENT LIGHT, STEEL FRAME, PVC, ALUMINIUM HANDLES, PRINTED WOOL, WALL PAINT


170 X 600 X 400 CM

INK ON PAPER, BIRCH WOOD, POLYETYLEN, POLYESTER-STRETCH, ACRYLIC PAINT, FLUORESCENT LIGHT, STEEL FRAME, PVC, ALUMINIUM HANDLES, PRINTED WOOL, WALL PAINT


PHOTO: REIDUN SYNNØVE GRAVELSETER

INK ON PAPER, BIRCH WOOD, POLYETYLEN, POLYESTER-STRETCH, ACRYLIC PAINT, FLUORESCENT LIGHT, STEEL FRAME, PVC


PHOTO: REIDUN SYNNØVE GRAVELSETER

FLUORESCENT LIGHT, STEEL FRAME, PVC


PHOTO: REIDUN SYNNØVE GRAVELSETER

POLYETYLEN, WALL PAINT


PHOTO: REIDUN SYNNØVE GRAVELSETER

BIRCH WOOD, ACRYLIC PAINT, INK ON PAPER, POLYESTER-STRETCH, POLYETLYEN, ALUMINIUM HANDLES


PHOTO: GARD AUKRUST

INK ON PAPER, BIRCH WOOD, ACRYLIC PAINT, POLYESTER-STRETCH


PHOTO: REIDUN SYNNØVE GRAVELSETER

POLYESTER-STRETCH, ALUMINIUM HANDLES


PHOTO: REIDUN SYNNØVE GRAVELSETER

Ware explores themes such as mass production and manufacturing in relation to the individual and the unique object. It is an imaginary industry, employed by women workers exclusively, in the process of restructuring from one sector to another. My research questions the value of material, craftsmanship, and labor from a contemporary perspective where technology, digitalization, and increased efficiency prevails. The loom is often the starting point because it initiated the first computers, programming and punch cards; the idea of the both digital and analogue tool. By applying mechanical, repetitive processes in the execution of the work, I explore the body and human capacity. Suggestive rather than insistent these surveys become into poetic sculptures; Studies of materiality, rhythm, and repetition, where I at the same time both continue and problematize craftsmanship in a conceptual context.